In between regular shooting, director Nicole van Kilsdonk and DOP Anton Mertens found time to shoot plates from the summit of the Ventoux. The pristine white of the rocks create a sharp contrast with azure skies surrounding it, resulting in interesting lines and compositions. We used this 'slanted' approach as the main concept for the typographic design. Even also in to the end credits, which appear diagonal over the filmed background.
Inline with the opening sequence we created an end scroll that was slanted as well.